VDO Happy

Puccini's aria from Gianni Schicchi, also used as the soundtrack of the motion picture A Room With A View, by James Ivory.

Giacomo Puccini - Turandot - Finale 1983

Aldo Giovanni e Giacomo - Scuola Di Polizia

"Kyrie", "Et incarnatus" - "Agnus" tratti dalla Messa di Gloria di Giacomo Puccini. William Johns (tenore), Philippe Huttenlocher (basso), coro e orchestra sinfonico di Lisbona Dir. Michel Corboz.

video die aldo giovanni e giacomo

Aldo Giovanni & Giacomo - Live! - subaru baracca parte 1

Uno degli sketch più famosi del mitico trio, tratto da Tre Uomini e Una Gamba

una mitica scena dello show Tel Chi El Telun di Aldo Giovanni e Giacomo.

Virtuosi della chitarra Virtuous guitarists

Aldo Giovanni & Giacomo - Live! - subaru baracca parte 2

Video Divertenti

Aldo, Giovanni E Giacomo - In i Vichinghi

Una delle gag più divertenti del trio!

3^ parte sketch "I tre gemelli" di Aldo Giovanni e Giacomo tratto dallo spettacolo "I Corti"

The tenor is 80 years old. Gala Pamias. Teatro del Liceo de Barcelona, January 26, 1972

La poesia più celebre del poeta di Recanati e, forse, una delle più conosciute ed amate in assoluto. Declamata da Vittorio Gassman.

aldo giovanni e giacomo il conte dracula

La famosa scena di Dracula (Aldo) alle prese con due Transilvani leghisti (Giovanni e Giacomo), tratta da "Tre uomini e una gamba". Grazie mille a tutti per le numerose visioni e per i complimenti!

Aldo giovanni e giacomo - subaru baracca pt. 3

Un divertente video di questo eccezionale trio

A grande richiesta il secondo capitolo della saga Dragonball e Aldo Giovanni e Giacomo! Nota: Chiunque nn gradisca i miei video è pregato di non lasciare commenti ingiuriosi.. detto direttamente.. non rompetemi i c****** a mettere commenti idioti perkè voi ci impiegate 2 minuti a scriverli, io a cancellarli ci metto un secondo.. semplicemente non guardatelo no?

WWW.CENTAURATO.BLOGSPOT.COM

Video divertende di aldo giovanni e giacomo...

Tel Chi El Telun scena del controllore! "Cioè lei si chiama Ajeje Brazorf!" "La mamma marocchina e papà serbo-croato"! ...... "L'ho sentito,sentito....nel 41!" Lasciate pure un commentino se vi piace il video

Gian Giacomo Guelfi (b.1924) Perhaps one day someone will be able to offer me a logical explanation as to WHY in the wide world Guelfi's name pops up so infrequently in discussions of great baritones of the 1950s and '60s. Born in Rome, Guelfi studied in Florence with Bianca Elice (Enzo Mascherini's teacher) and Titta Ruffo, becoming in time a worthy heir to the latter's mantle of Verdi baritone par excellence. Indeed, in terms of pure vocal refulgence, I can think of only two other baritones that could equal him in the post-Leonard Warren era: the great Romanian Nicolae Herlea, and Cornell Macneil. Yet, although Guelfi was well-respected and enjoyed a fine career worldwide, he never seemed to garner the lavish praise bestowed on such contemporaries as Bastianini, Taddei, Cappuccilli, and Gobbi. It can be said that he was a relatively straightforward singer and certainly not the last word in subtlety, but that's true of a great many singers (think Merrill, or Warren himself). And while Guelfi did not possess Gobbi's gift of nuance, he had a much, MUCH better voice and sang with substantially greater technical assurance. I'm at a total loss as to why Guelfi's voice- a huge, dark, potent, rugged instrument that never thinned out on top- was virtually ignored by the record companies, who must surely shoulder at least part of the blame for his "second-tier" status today. Aside from the famous Karajan-led Cavalleria with Bergonzi and Cossotto on Deutsche Grammophon (and film of the same opera with Cecchele substituting for Bergonzi), I'm unaware of any major label opera recordings. Fortunately, there are quite a few "live" performances that have been preserved on labels ranging from Opera d'Oro to Myto, including many Verdi roles for which he was justly acclaimed (he had made his debut in Spoleto in 1950 as Rigoletto). One of my favorites is his Macbeth, recorded April 9, 1968 at the Teatro la Fenice in Venice, with Gianandrea Gavazzeni at the helm. Those looking for deft, detail-oriented phrasing a la Bruson or Taddei won't find it here, but the outpouring of rich, golden tone is ample reward in itself. And despite the relative lack of nuance, Guelfi does not sing at an unvaried forte: witness the beautiful pianissimo on the word "inaridita", at the end of the recitative. The recording is clear but low level, so be sure to adjust speaker volume accordingly. For those interested in further investigating Guelfi, I highly reommend his Scarpia (alongside Renata Tebaldi) and Jack Rance (with Eleanor Steber), in addition to Alfio in the Cavallerias mentioned above.